I've been looking a little more into Alice & Martin Provensen's work, discovering (to my delight) that that they did more than just bright, primary-coloured cutout work. I found a small selection of grittier images that use a much more toned-down palette which I think is much more in keeping with the fairytale theme I've been pursuing so far.
The cutouts as seen here are still very stylised and simplistic. The boy in the bed on the left, in particular, strikes me as very 'puppet-y'. It's very easy to imagine what he would look like in motion as an animated character.
The background elements are very softly coloured and almost always feature an outline. This is pretty interesting and something I hadn't initially noticed — not giving the characters an outline prevents them from merging into the background and becoming indecipherable. This is pretty well demonstrated in the image below:
The Provensens also did a lot of looser, sketchier work using very rough inks. Much like Arthur Rackham they seemed to use quite limited colour palettes, although I imagine this was a stylistic choice as opposed to technical necessity:
I love the gestural feeling of the drawings and all the textures. From the images above it looks like they may have used some sort of acrylic paint and watercolours with quite thick brushes. It seems as if they might have dabbed or stabbed as opposed to strokes with the brush. It almost has the feeling of a sponge painting.
I think it might be possible to replicate similar effects by almost carelessly overlapping paints. Clearly they weren't worried about staying inside the lines! I may experiment with loosely blocking out the general shapes with a colour wash (or even tea) in order to try and capture the instantaneous, gestural feel of the drawings.
